61x51cm,  There are far too many to show the whole range but here are some of my favourites; In the court of Philip III a number of jesters were employed having various abilities, this chap’s being to look exactly like Don John of Austria, not a well regarded monarch in this court. The finished underpainting will dry for a couple of weeks at least and be ready for glazes to develop colour and space with probably a bit of redrawing. Enter your email address to follow this blog and receive notifications of new posts by email. Unintentionally funny. The story is of workaday, even lowly matters mixing with and creating lofty ideals and aspirations, or at least those viewed through 19th century eyes. CZK 100,600, 43x37cm,  For observation, skill, pathos and 19th century sensibility it is a paradigm object. CZK 129,200, 37x30cm,  I changed the hairdo to emphasise the head of the cardboard figure and using Old Holland oil painting medium pushed the image around until it all seemed to balance.

Also whether they are good preparation for work which is to follow, for example by formulating good compositions or spaces for paintings, or good indication of form for painting or sculpture. He is Regarded as One of Britain's Best Craftsmen, Producing Still Life Oil Paintings and Charcoal Drawings.

Finer detail will of course come later but one of the more important judgements to be made is the level of detail for the atmosphere of the painting. I’m talking of artists such as David Jones; and many others. I want these to be optimistic and humorous. It helps me judge more clearly how to manipulate the glazes and keeps the underlying white more active. Lurkers, my wife calls them. It’s not profound or mysterious, and I’m aware of all the arguments about sexual and class implications in such a thing, but I don’t care. This is astonishing, because by any descriptive or artistic measure that I value her work is immature incompetent rubbish. Sounds pretty obvious but the implication is that funny paintings aren’t supposed to be serious and that paintings involving humour are less worthy, less profound and less descriptive of the human condition than those which deal with the darker emotions. I’ve had to adjust to Titanium and use a combination of Winsor and Newton Alkyd and Artist oil colours.

Sometimes things never get beyond this stage, or I make changes, but I avoid doing that if I can because it usually means losing the freshness of the brushwork. In still life it’s often easier to play around with the sense of things. Anyway, it doesn’t spoil the painting for me. A sketchbook drawing done away from the studio have me a sort of thing that felt right; Not quite finished yet but mostly there. this happens to a few of the best but most get acknowledged by me as not up to the mark.

The Scottish painter Harry Holland was born in Glasgow in 1941.He trained at St.Martin\\\'s School of Art from 1965 to 1969.He is regarding as one of Britain\'s best crafsmen,producing brilliant paintings.Painter of people,women,nudes in the Magic Realist,Photo Realist and Surrealist style - Work in museum:London,New York,Brussel,Cambridge. Incidentally this was the original inspiration for some of my figures-in-the-sky paintings. Don’t forget that the international scene was dominated by the likes of Picasso, Matisse, and other foreigners and the last home-grown art movement, Pre-Raphaelism, was derided or ignored, as was most realist figurative painting.

The model gets a rest (or a wake up) every three quarters of an hour or so. sombre, funny, ironic, light-hearted, enigmatic or mystifying is refined through a process of feeling, trial and rejection, not analysis or clear decision. The painting “Coin d’Atelier”shows his father working on a relief. This original drawing, made some time ago, I projected onto a Belle Arte extra primed panel which I use lot for sketching and made a base drawing layer using burnt umber, ivory black and titanium white.

There are exceptions.
Harry Holland ~ Figurative painter & draughtsman.

The category leaves me free to upend physical facts or make material contradictions without the archness of Surrealism or the demand for believability of Fantasy images. Starting with fluid paint, the basic divisions of light and shade are made in the main form. Estimate: $1,000 - $2,000 Description: Harry Holland (British, b.1941), "Veronica," 1999, oil on canvas, signed lower right, sight: 23.25''h x 19.25''w, overall (with frame): 27''h x 23''w.
Sometimes things can turn on a type or character as in this one “Painter”. I’m all in favour of remaining in Europe but I must say the EU regulations against the sale of lead white which I used to use are completely unnecessary.

Looking in a mirror is a testing experience for us oldies, aspects of this depicted convincingly by Rembrandt and Bonnard.

Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices.

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